For centuries, people have been seeking medical advice and remedies from various sources, including books. One such book, "The Favorite Medical Receipt Book And Home Doctor," has been around for over a century and has helped countless people manage their health at home. The book was first published between 1904 and 1908, and it quickly became popular due to its easy-to-follow instructions and useful tips. In this essay, we will explore the two versions of this book and how they have impacted healthcare over the years.
The Favorite Medical Receipt Book And Home Doctor - Original version - ancient books published between 1904 and 1908
Learn more: The Favorite Medical Receipt Book And Home Doctor
1/ The Original Version
The original version of "The Favorite Medical Receipt Book And Home Doctor" was a collection of recipes and remedies that people could use to treat common ailments at home. The book was compiled by a team of medical professionals and was based on their collective experience and knowledge. The book covered a wide range of topics, from headaches and colds to more serious conditions like cancer and tuberculosis.
The book was designed to be accessible to everyone, regardless of their level of medical knowledge. The authors used simple language and easy-to-understand instructions to help readers navigate the various remedies and treatments. The book also included illustrations and diagrams to help readers understand the various parts of the body and how they relate to different conditions.
The book quickly became popular, and it was widely used by people all over the world. Many people preferred the book's natural remedies to traditional medical treatments, and it became a staple in many households.
2/ The Updated Version
In recent years, a new version of "The Favorite Medical Receipt Book And Home Doctor" has been published. This version, which was released in 2015, was updated to reflect modern medical knowledge and practices. The new version was compiled by three experts who are university lecturers and have read many ancient documents.
The updated version includes new remedies and treatments, as well as more detailed explanations of various conditions and diseases. The book is also more comprehensive than the original version, covering a wider range of topics and including more detailed instructions and illustrations.
Despite the changes, the new version of "The Favorite Medical Receipt Book And Home Doctor" retains the same spirit and accessibility of the original version. The book is still designed to be easy to use and understand, and it remains a valuable resource for anyone looking to manage their health at home.
For over a century, "The Favorite Medical Receipt Book And Home Doctor" has been a trusted resource for people seeking medical advice and remedies. The book's accessibility and easy-to-follow instructions have made it a favorite among people of all ages and backgrounds. While the book has been updated to reflect modern medical knowledge, it remains a valuable resource for anyone looking to manage their health at home. Whether you prefer natural remedies or traditional medical treatments, "The Favorite Medical Receipt Book And Home Doctor" is a book that everyone should have in their library.
3/ Recommended "Home Doctor Book" written by experts
The "Home Doctor" book is an essential resource for anyone looking to take control of their health at home. Written by three experts who are university lecturers and have read many ancient documents, this book provides practical advice and remedies for a wide range of common ailments. The book is designed to be accessible to everyone, regardless of their level of medical knowledge, and includes easy-to-follow instructions and illustrations.
In many ways, the "Home Doctor" book is a replacement for the original "Favorite Medical Receipt Book And Home Doctor." While the original book was a valuable resource in its time, the "Home Doctor" book reflects modern medical knowledge and practices. The book includes new remedies and treatments, as well as more detailed explanations of various conditions and diseases. Despite these changes, the "Home Doctor" book retains the same accessibility and ease of use as the original, making it an invaluable resource for anyone looking to manage their health at home.

This is the only physical book you need when medical help is not on the way:
💠 Home Doctor 🔗

The theme we will address has never attracted as much attention as it does in the current days. The recent success editorial of the book "The Da Vinci Code" by Dan Brown instigated the imaginary, through a narrative that involves all of these matters related to the life of Christ questioning and presenting conjectures and theories, some credible and many others, in my view, without a lot of reasons, such as the mention of the work of Leonardo Da Vinci, "the Last Supper".
https://youtu.be/i6-drL7fuqs
Before we talk about the meaning of Leonardo's work, let's quickly address some aspects of his life to understand the context in which all his work developed.
Leonardo was born in April 1452 in Vinci, a village near by the Florence, son of Piero da Vinci, a notary, and a servant. Leonardo was an illegitimate child, having no rights to his father's estate. But his father, zealous, did not abandon him, having assumed his creation. We must remember that Leonardo was born in the middle ages.
The end of the middle ages is determined by the fall of Constantinople in May 1453. Of course the change from one period to another does not occur through a single event. This is a process of transition that involves multiple events.
With the end of the Middle Ages we have the Renaissance, with the resurgence of the appreciation of man as a factor of relevance in all contexts. Begins Humanism, a movement that revolutionized the thought, emerging new concepts and worldviews. This new concept is a precursor of specialization of knowledge, resulting later in the systematization of human knowledge, with scientism and segregation of knowledge that until then was unified.
Leonardo is more a medieval wise man than a person aligned with trends Renaissance because he was not restricted in specifics knowledge like other geniuses contemporaries geniuses. He had a broad knowledge. He was not only a painter. He was a sculptor, musician, architect, engineer, inventor, anatomist, and also an astrologer, although his biography does not to mention about the universe of hidden knowledge. In short he had a universal knowledge. In all areas he left the mark of his genius.
When he turned 14, his father had placed him as an apprentice in the arts studio of Verrocchio who was a great master of Florence. The art workshops held not only artistic works such as paintings and sculptures, but also construction of buildings, bridges and works of engineering, metallurgy, war machines, everything that required creativity of man to make some kind of artifact.
Leonardo soon excelled in all these arts, having participated in the production of a painting by Verrocchio, by order of Lorenzo Medici, ruler of Florence. He did paint an angel face on a canvas and the delicacy of the lines and the play of light, called the attention of the Medici family, who came to protect him. At this time, the success did not depend on talent, but especially the figure of a protector, a Maecenas.
The Italian peninsula, at that time, was a region of many disputes, without the identity of a country, which has consolidated only in the second half of the nineteenth century with Garibaldi. There were city-states, which they lived in strife. Wars were fought systematically, in order to solidify the power of the clergy. In this context, a war was deflagrated against Florence, promoted by the Vatican, for there were many interests of political composition, dominance, hegemony and economic supremacy.
Leonardo facing this situation, after serving the powerful others, as the Borgia, for example, just moving to Milan, had offered his services to the Duke Ludovico Sforza. Just to get an idea of the talents of Leonardo, he presents his resume as primarily military engineer, as he liked to be recognized, Architect, Builder Weapons, inventor, musician and at the end of the list of qualifications is painter and this is just his ability is that Duke engages him. Ludovico became the new protector of Leonardo.
Among the many works that Leonardo executed custom Ludovico is the "Last Supper." The work should decorate the refectory of the Convent of Santa Maria delle Grazie. The work began in 1495 and was completed in 1497. In reality it did not complete. By the way, no work of Leonardo, except St. John and baby Jesus was completed. Were several lawsuits filed against Leonardo because he did not fulfill contract. Leonardo spoke "creation is divine, execution is slavish!"
https://preview.redd.it/fk3rhe5hz6pa1.jpg?width=1200&format=pjpg&auto=webp&s=fd7f147e06e72dca0ff296f65317c3163733a3fb
The Last Supper was painted on the walls of the hall and Leonardo developed a new technique. It is often said that it is a fresco, but in reality a fresco is a painting done on a layer of newly applied plaster still wet. This technique does not allow error and touches later. As Leonardo was primarily a perfectionist, he wanted a technique that could shorten the drying process of the ink
This does not mean he was not an expert, but he wanted the drying delay to execute the work with the greatest perfection imagined. So he developed certain dyes and pigments that have been shown ineffective in relation to conservation. The fresco has been constantly attacked by the action of fungi that decompose, requiring constant maintenance and restoration. Disrespect for art is not a fact that occurs only in our days. Note that, by the need to create a passage for a next room, was opened and then closed the door just about painting, destroying forever a part of the base. A similar fact occurred with the Mona Lisa, which is a painting done on wood panel, which had the sides sawn.
Let us now turn to analyze the picture presented. We see that the figure of Christ is placed exactly in the center and if we trace two perpendicular lines, projecting the vanishing point, we have this convergence point exactly on the right eye of Christ.
https://preview.redd.it/2q63a9akz6pa1.jpg?width=640&format=pjpg&auto=webp&s=82b77c2509d79e82fc218c31cb234f3c988e6a78
Thus we have the picture, with Christ at the center position and the apostles distributed on both sides. Around Christ is formed a circle passing through the arc of the door at the back, forming a triangle with the apex up ward and the other with the apex downwards. In the book "The Da Vinci Code", Dan Brown speaks of these symbols in a simplistic way, relating them to the masculine principles, personified by the figure of Christ, and the female, formed between him and John standing right beside him.
As John's features are feminine Dan Brown claims to be Mary Magdalene, who had been his wife and mother of his daughter Sara, giving rise to the dynasty of the Merovingian, the first kings francs (?). He argues that even Jesus to be a Rabbi, could not be single, and would necessarily have to be married. This is true among the Pharisees, but if we consider Jesus as Essene it would not be a fact, because the Essenes took vows of chastity and poverty of course he could not be married. (See studies on Essenes in the Dead Sea Scrolls).
But that does not interest to the narrative of Dan Brown, because it would invalidate the book. Dan Brown is a researcher and I believe he has his knowledge, but I also believe that it is not interested because it contradicts with their commercial interest, because the truth does not sell. This symbolism is represented with two triangles with opposite vertices, is actually very deep, being present in different traditions such as Vedic and Hebrew, which presents two interlocking triangles, forming the six-pointed star.
The six-pointed star, although it is known as the Star of David or Seal of Solomon is present five thousand years ago in the Vedas This symbol contains hermetic principles, such as correspondence, the polarity, as well as the sex and this cannot be reduced simply to a phallic reference. We are not depreciating the work of Dan Brown and recognize who never spoke much about these matters. These works have never been as visited as it is today and this in itself already has its importance, but we have to put things in their right places.
We can relate the triangle with vertex upwards (upper triad=Spirit), containing the principles Will, Wisdom and Mind (Consciousness). The triangle with the apex downwards relates to the matter (unconsciousness). Thus when the two overlapping triangles results in the manifestation of life.
It is the projection of spirit into matter, as we can also see in the painting of Narcissus (below right), by Caravaggio, where he falls in love with his own image reflected in the mirror of water, going to deny its divine origin and losing in the webs of illusion of the world of things, which is transitory, local and temporal. The world of things is composed of the four elements (Fire, Air, Water and Earth).
https://preview.redd.it/3cia4wisz6pa1.jpg?width=557&format=pjpg&auto=webp&s=4b8024928bfecb087a46324137ea80e2edca43f5
The combination of the three higher attributes mathematically generates the four material elements.
Let's see. By combining the primary elements, i.e., "A", "B" and "C", produce the four elements, where "A" is associated with "B", "A" is associated with "C", "B "associates with" C "," A "is associated with" B "and" C ".
Thus we have four secondary elements. We also make an analogy with the primary colors, which are blue, yellow and red, that combined together form the four secondary colors, constituting the structure of the septenary manifestation (seven colors of the prism, seven musical notes, seven days a week seven deadly sins, etc...).
Thus, the higher will generate the ternary quaternary, with a combination of three with four, resulting in the twelve that reflect the different basic types of energy, or twelve human archetypes.
The three, four, seven and twelve numbers are sacred numbers, since summarize the constitution of the universe.
The pyramid, for example, is a splendid symbol, it is the ternary seated on a quaternary basis (I and II).
https://preview.redd.it/dx1id0ruz6pa1.jpg?width=545&format=pjpg&auto=webp&s=119fc354d756fded879d65a69a9aa453f691579f
If we look at the pyramid over its apex, we shall see the division four equal parts (III). If these parts are opened (IV) will produce 12 angles (combinatorial analysis 3 of 4).
This results in the Maltese cross, or Templar cross (V), where the center is located the eye of God, who sees everything (omniscience), precisely the right eye of Christ, who is the central vanishing point in Leonardo painting (ternary on the quaternary).
In astrology there are three primary types (come Primary Cause is the Absolute = Universal) and four secondary. The three primary types show human behavior. The secondary indicate the human temperament. Human behavior is determined by the mode of expression (Cardinal, or the one who initiates an action. The fixed stabilizes the action. The mutable amend the action). It´s is the gunas of the Vedic tradition: Rajas, Tamas and Sattva, which make up matter.
We can represent these correlations through the diagram below, where the archetypes are formed considering the kinetic and static manifestation of matter and its modulation with three forms of behavior, producing the twelve basic types of temperaments, according to the diagram:
https://preview.redd.it/4cmpcwgxz6pa1.jpg?width=571&format=pjpg&auto=webp&s=f443519d8945c6a60906232c7464e8aaab40c41f
We speak of the qualifications of Leonardo that among them he held the astrological knowledge. It is precisely this knowledge that is being revealed in his work. He had deep knowledge of archetypes, detailing its characteristics, perfectly demonstrating the zodiac with the twelve signs of the Sun (Christ) as the center of events and creation, which becomes more evident if we observe that the apostles were arranged in four groups of three.
Thus, we have four groups, linking them to the four seasons of the year with an apostle for each sign.
Each station has three months and consequently three signs, starting in the spring, which is the vernal equinox in the northern hemisphere, with the months of March, April and May, related to Aries, Taurus and Gemini. The summer, with the months of June, July and August, related to Cancer, Leo and Virgo. The autumn, with the months of September, October and November, related to Libra, Scorpio and Sagittarius and winter, including December, January and February, related to Capricorn, Aquarius and Pisces.
https://preview.redd.it/wdvzgvr007pa1.jpg?width=640&format=pjpg&auto=webp&s=1ac4ccd825092e43176e5222127031f01ceee4fd
Another way to demonstrate this is the figure we see a three-dimensional form, with the figure of Christ and the apostles to the center divided in the ecliptic (the Sun's equator).
https://preview.redd.it/wkna4mf307pa1.jpg?width=243&format=pjpg&auto=webp&s=111e3684719940bb7716d259977049919937a630
In the zodiacal wheel, we have divided the signs forming axes, where a sign has his virtuous characteristics, and the difficulties are experienced in the sign placed in opposition. This refers to the principle of polarity, which says that everything has two poles, and they are similar in nature, varying; however the degree and that these polarities can be reconcilable (The Kybalion - Hermes Trismegistus).
To overcome the difficulties represented by shadow, there to seek the virtues that which is light, located in their opposition.
In reality what must determine between the two poles is the search for balance, i.e., the central point is that the figure of Christ. It is to live the way of temperance, the middle path. The consciousness.
Associating the different disciples (nominated by Leonardo himself), we have the representation in the figure below:
https://preview.redd.it/bssqcv8607pa1.jpg?width=640&format=pjpg&auto=webp&s=75601f90d3a08f1dd18d2fe6da25ec0d1cbd5d11
Jesus opens his left hand upward, feeding those placed his left. Are the seasons of spring and summer, where there is the birth and growth. The right hand side down in an act of absorption of energy and experiences accumulated by the autumn and winter seasons, related to maturity and death. This demonstrates the zodiacal cycle of birth and death. It is noted that the same correlation is made in that the light is projected to the left and the right shade Christ. The same polar duality is also represented in the mantle of Jesus delimiting the two hemispheres.
At the head of the table, to the extreme left side of Christ, we have the figure of Simon, representing Aries. Leonardo represents in the order of left to right, since the signs, as seen from the earth moving anti-clockwise.
Aries, the sign that opens the zodiac, is the pioneering characteristics, leadership, initiative, and this is exactly the role demonstrated by Simon, sit at the head table. Aries rules the head and the head of Simon are displayed prominently. The position of Simon's ascendancy over the others. But not only is the position occupied by Simon Aries denoting this role but what the theme suggests, because everything results from something spoken by Simon, as the other apostles are commenting, arguing and watching Simon himself, it was told.
If Aries is related to the self, the personality, Libra corresponds to the other, the relationship and the satisfaction of the need of the partner.
It is ideal for Libra living relationship in an atmosphere of peace, beauty, balance and harmony. The figure of John, diametrically opposed to Simon receives and absorbs the full impact of what was spoken, causing it to assume a posture of submission and retirement. John's hands are placed in position reconciliation. The figure actually has a female face, because Libra, seeking harmony is associated with receptive condition. The garment also refers to balance, in that is divided in two colors. Libra is ruled by Venus and Aries by Mars. This is the axis of individuality, and Aries representing the personification of the psychological ego and Libra the other with whom the ego relates.
Next we have Judas Thaddaeus. It is related to the sign of Taurus. Taurus is characterized by personal values, possessions, to have. Taurus has the need to develop a solid structure, have support. In the painting we see that is the only apostle to lean on the table, put the left arm using the table as a shield. The size of the Taurus is solid, strong. Taurus rules the neck and throat and this is very evident in the painting. The attitude of Judas is prudence. He argues and accepted.
This is the value axis and power, having one side of Taurus and Scorpio on the other.
Scorpio is represented by Judas Iscariot. Scorpio relates to the values ​​of the other, the collective values​​. Judas, for he was treasurer of the group. Scorpio is the sign of the depths, transformation, regeneration or death. Ruled by Pluto or Hades, represents all that is profound and transformative. The role of Judas Iscariot, as misinterpreted by the Christian traditions, was critical to the tragic outcome of the drama that is the passion and resurrection. Judas Iscariot somehow was the most loyal of the apostles, because he did fulfill the scriptures. He took the most painful mission of the group fulfilling the order to terminate the Sinedrion following the proper order of Jesus, when he said, "Judas, would you betray the Son of Man with a kiss? (Luke 22:48).
Actually Scorpio is the dynamo of the Zodiac, because it determines the transformation processes necessary for evolution of life. Judas Iscariot in the painting is presented as a spectator, watching the unfolding drama, examining the course of events. These are characteristics of Scorpio. Deeply analyzes, traces the strategies and act at the right time, accurately.
Next we have Matthew, related to Gemini whose ruler is Mercury. Gemini is related to the whole mental process and communication. The mental concrete, the process of accumulation of cognitive and applied knowledge to material reality. The natives of Gemini are slender and agile, jovial, looking curious and considering all possible variables facing situations. They can be considered, sometimes contradictory, unstable, and fickle. Matthew demonstrates some of these features.
He is communicating with Simon, looking at him, but arguing with hands and arms as if he had considering all aspects of what was said. May also appear an ambiguity between what was said and what the group thinks. As Gemini is related to communication and speech relates anatomically to the shoulders, arms and hands and this is what we also noted the figure of Matthew, who is also considered the reporter of Christ, like Mercury (Hermes), the messenger of Jupiter (Zeus).
We have here the axis of knowledge and wisdom. Peter opposes Matthew, representing Sagittarius. It is the sign associated with religion.
Sagittarius governs the higher subjects, abstract knowledge and spontaneously puts into the unknown. Sometimes it is brutish and can express themselves with excessive frankness. This corresponds to the spirit of Peter, who founded the Church, or the Christian religion, with Paul (Saulo de Tarsus).
The faith when taken to its ultimate consequences may be blind and in his defense all can be allowed. Peter's hand is holding a knife to defend his own ideals, not in a threatening attitude to John, by some want to believe, even argued by Dan Brown. Sagittarius, the centaur wields the bow with the arrow to be thrown. Anatomically Sagittarius governs the hips and this is evident in the painting. The right hand rests on it. The disposition of the body of Peter remembers the design of the symbol of Sagittarius.
In the sequel we have Philip, associated to Cancer.
Here we come to the bottom of the Zodiac, or Imum Coeli (Latin for "bottom of the sky"), is the axial point of the unconscious corresponding to all devotional manifestation, the maternal feeling, the origins and traditions. This relates to home and family and Philip embodies this archetype.
With distinctly feminine face, Philip takes his two hands to his chest, as if calling everyone as children to be reconciled. Indeed, precisely Cancer governs the breasts, stomach and uterus. Hands with arms also form a figure that resembles the claws of the crab is the cancer itself.
This is the time axis, with the past and destiny. The past is associated to cancer, the mother, and the future (Capricorn) with father. So Capricorn governs the destination, i.e., what we seek as a career, as the goal of life and social role as we seek and desire recognition. It concerns the authority.
So, Andrew as Capricorn is clearly a Capricorn attitude. Capricorn is cautious and practical and could be cold and pessimistic. As Philip says "come to me," Andrew seems to say "depart from me", because to assume the responsibilities is to calculate and plan what should be done.
Capricorn corresponds anatomically to the entire bone structure, knees, skin. In painting Andrew is the one who has hands with bony fingers, demonstrating the bone structure. Alongside Philip, we see James the Less, related to Lion.
Leo is sovereign. Charismatic, flashy, creative, dramatic, seeks recognition through the exhibition. It is ruled by the Sun and radiates its light.
Leo governs the heart that is analogous to body sun. These characteristics are clearly incorporated to James Minor. Surely he is the most beautiful scenic figure painting. James to take the attitude of open arms, exposing the light, standing next to Christ himself.
Demonstrates an open chest, the heart of generosity, a typically leonine behavior, which sometimes comes to be naïve and centered on vanity and self-centeredness.
This is the axis of the power of creation. If Leo is the maintenance of creation, Aquarius is change and renewal which is also creation. Leo governs the power of the king, the monarch. Aquariums are the collective power, the group, society. This axis is that occur the struggle for power.
Aquarius, with Uranus the ruler promotes all sorts of abrupt changes, meaning always drastic changes. Often in the name of innovation is deposed monarch for the establishment of a new regime, to then become similar with the previous model. It is what is observed with the Aquarian revolutions like the French Revolution, with the deposition of Louis XVI. Napoleon was later crowned as emperor (Leo). Recently, we have the Cuban Revolution, with the deposition of Dictator Fulgencio Batista and Fidel ruling as King-Dictator.
Aquarius is associated in this way, the actions of libertarian, to rebellion, radicalism because it is engaged with human values, such as progressive values, but it is impersonal.
Analyzing the figure of James the Greater, we see that it does not appear in the foreground. He does not expose himself alone, but through the group, through diplomacy and see: Aquarius is the sign of friendship and we see James hugging Andrew and Peter, demonstrating that the strength comes from the group and not on individual attitudes.
Finally, we have Thomas, representing the Virgin.
The Virgo is related to the practicality, analysis and criticism. It also ruled by Mercury, but here the mental focuses on utilitarian and practical application to be given to all things. For that reason they questioned him, details and discriminate. Virgos is in extreme need to feel useful and provide their service, but to do so he needs to understand the cause of things. Within these characteristics we see the figure of Thomas. Thomas needs to see to believe.
Thomas in his act of inquisitor asks to Christ himself, in that puts her right in front of Jesus forefinger. As Virgo tends toward shyness and humility, Thomas is also placed in a position away from the table.
This is the axis of the serve, having Virgin correspond to service pragmatic and Pisces, the humanist service, sometimes not very clear and perceptible, which may lead Pisces to live in a state of unreality.
Pisces is associated with the dreamer inspiration and understanding. Are compassionate, emotional, intuitive and romantic, but for this state of contemplation, if not well channeled, can lead to evasion and fanciful attitudes, having difficulty perceiving reality.
Bartholomew the Apostle is which closes the zodiacal circle. He is on the other side of the table. It clearly demonstrates the Piscean characteristics. It seems that his vision is directed to a point that goes beyond the environment portrayed, a point diffuse and may not realize exactly what is going on. Does not speak, only observes, contemplates and accepts. Pisces rules the feet are just his feet, interlaced, which are illuminated under the table. Pisces has great intuitive potential, but needs to know how he can transform his nature, his sense of serving humanity in a more practical and constructive way.
Thus we come complete cycle of the zodiac, sounding clear that the message displayed in this painting, as in other works of genius. It conveys much more than seemingly suggests.
True knowledge was hidden in encrypted form by the need to preserve it, protecting it from the misunderstanding of those who thought they possessed the truth. What is hidden, veiled, does not mean it is not to be seen. It is only unveiled to those with eyes to see. Leonardo leaves us that genuine arcane wisdom was, is and will be the knowledge which guides humanity toward enlightenment through awareness.
Astrology, by the psychological approach is a process that allows us to analyze, understanding paradoxes, our conflicts, our shadow, our projections, and perhaps, through self-knowledge, doing the reintegration of contents for consciousness, so we can promote the process of transforming into true human, and better integrated with the sacred.
The path continues to be followed.
Astrology shall be understood in this view, showing that the splendor of diversity means that we may above all be tolerant and compassionate, understand the nature of the differences and accept them as a manifestation of the same source of life.

Hello! This is my first time getting into an ARG, let alone taking notes FOR said ARG, so I apologize ahead of time if things may seem scattered or less-than-organized. But I still wanted to put out me (and my friends) Observations on the Welcome Home ARG! Below you'll find my thoughts and finding on a few of the pictures linked in the "What is Welcome Home?" Page, the map screen, and the guest book. As well as some working theories on what I think is happening here. (Found Here)
​

- The Eye-Conography -

Prefacing my larger-scale theories and observations, I would first like to mention that there is a LOT of imagery regarding EYES. Observations. LOOKING. PEEPIN'. That sort of deal.
https://preview.redd.it/6t26oshi76pa1.png?width=255&format=png&auto=webp&s=4fc4e602fa35426f424503049df96df4551c217b
https://preview.redd.it/lp756h6k76pa1.png?width=253&format=png&auto=webp&s=64a9b4c70369fd515e79a6af61d18530b4bca961
​
I'll be attaching visual aide and my findings with each. So opening it up at the same time wouldn't be ENTIRELY necessary. But if you wanna explore it yourself, don't hesitate to in the slightest. Most noticeable around the borders of the web-page. These are easy to miss, at first. Considering that one doesn't really pay much mind to the borders and edges of a screen when reading or observing art. But it's true. One thing to more before starting is that there is a LOT of eye iconography in this ARG. Something I think'll get expounded on the more we delve into it.

- Image 1: The Vinyl Ad -

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The Ad Itself
This was the first image I really bit into in terms of taking a deeper look at photo editing and paying attention to the words used. On top of putting our, supposed, main culprit front and center. (That being Home.), I'd like to point towards the image provided with the ad. (Of Eddie, Sunny, and the Vinyl.) You'll notice, pretty obviously, that there's a label for everything. Sunny, Eddie, the Vinyl, and the House. These are all referenced at the bottom of the image. Where it explains each in detail.
Aforementioned Labels and Explanations
Although, if look for even a second, you'll notice that there's a forth label. one that seems to be obscured by writing or crossed out at the indicator. This would be the first thing I took notice of when I viewed this advertisement. That there seems to be a label for something in the dark. Something hidden underneath the paper. I thought for a second that the crinkling of the paper was what was being highlighted. But upon inspection, me and my friends deduced that it it's, honestly, nothing. Not saying that there isn't anything there, of course. But that it's obscured by the age of the paper and my inability to apply filters and effects is most likely indicative of it not being visible. Only implied. Upon giving it some more thought, I realize that the reason that it may appear 'crossed out' is because there are actually MULTIPLE letters layering over the same indicator. Meaning that there is more than one entity worth cataloguing inside the darkness. Or, upon even closer inspection, could be a star of some sort put in between the letter D. Whatever it is, we know for a fact that there is SOMETHING there. What it is, we've yet to conclude.
My current working theory is that it may be another puppet. Or perhaps a spirit of some sort. But finding any of this out would be harder than I care to admit. As most of my methods of editing have proven futile in brightening or exposing the image further.
https://preview.redd.it/sifdvsgcs5pa1.png?width=102&format=png&auto=webp&s=fd32af2477028b97e17433e48a4e85dc75f5d636
Another thing of note on this page would be, as i mentioned before, the language. The language on this page seems fine on first read. Like on of those optical illusions made to make you feel dumb when you read over something that, sounded out aloud, should not make any sense. But if you read it in your head, it seems rather innocuous. This would lie in the brief little caption between all the diagrammed merchandise available. Particularly:
And who?
It would seem, and this is something of a trend I have noticed, that a character has, purposefully, been left out. A character that, presumably would have been sold with the others. Or, perhaps, the piece of merchandise belonging to the fourth and final indicator. This clue is what really set me off on starting to, deeply, investigate each and every image present in the Welcome Home tab. Though, in truth, I've to find the truth of many images. I can still surmise what it may be about.
My first theory is that, whoever published the advertisement, purposefully kept out this character for the sake of maintaining the character's concealed identity, but didn't want to put the effort forward to fully conceal it's existence. From the lack of care given to concealing the mistake, I would surmise this has a high chance of being meddling from the Corporate side of Welcome Home's sphere of creative influence. This corporate meddling is further expounded on in a later image. (actually the one right after this one), but I digress.
My second theory on this particular, unexplained typo would be suppression by a higher power. From what I can understand, there is, indeed, a higher power at play in this universe. An unkownable entity pulling the string from behind the scenes. An entity that, in its hubris, is failing to entirely wipe acknowledgment of it's existence free from the site and world. It's worked in the past, I am assuming. As it would appear that, (in-universe), people forgot about Welcome Home until the ClownIllustrations blog came about. This is still a working theory, with very few plot-threads that would lead me to this conclusion. But, overactive imagination aside, I believe it still might be a possibility worth considering. At least until more evidence comes to surface in the future.
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- Image 2: "Business Pals" -

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https://preview.redd.it/jpecqqp2v5pa1.png?width=994&format=png&auto=webp&s=9ef9cfc165fd50080a494b28d086ebf3982e29a9
For the most part, the second image provided on the site is less ominously foreboding as the first. (What with the assumed censorship or concealment of names and whatnot and the ghost indicator).
But in turn, I believe this image actually provides us with a small, if brief, look into what may or may not have been occurring on the creative versus corporate side of Playfellow Workshop. Though before we discuss speculation on the purpose of this restored piece, I would like to talk about the one piece of hard evidence that I believe is found on this work.
In the bottom-right of the image, you would be remiss for confusing the jumble of numbers as a signature. Or some other form of identifying mark to distinguish who drew this image and why. But in reality, its a bundle of numbers. Numbers that, after staring at the image for longer than I care to admit, could be discerned as follows. (Bear in mind this could have any number of permutations, I'm simply throwing the numbers out there for the sake of clarity.)
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https://preview.redd.it/9hpffe31w5pa1.png?width=81&format=png&auto=webp&s=ec37276a346e2d1f838f4559203cc3c925203a9b
Personally, I perceive the numbers 6 5 7 3.
Of course, it could be ordered and framed any sort of way. But I believe that, in the future, this may either allude to a Date, a code, or some other form of content that might be lead up to more clues down the line. Other than that, however, lets get into what I believe this drawing represents.
(Speculation Time)
I believe that this drawing, taken deeper than face value, may allude to the condition of the creative presently working at Playfellow Workshop. From what we understand, Welcome Home had a total runtime of (Almost) 4 years. 4 years of a show, if we're assuming that this ran alongside the Muppet's, is quite a long time. With, assuredly, episodes being released every week. And specials made every large holiday. (This is expounded upon later with future illustrative entries.) Profits would be high. At least one would assume. But, as the profits drove higher and higher, so did the desires of the higher ups at Playfellow (Portrayed by Julie in this image). At the cost of the conditions of the workers charged with MAKING the show in the first place. (Portrayed by crying Eddie.) Which is a crime. You should be ashamed if you ever make Eddie cry. While at the moment, I'm unsure if this may be a spark for something later on down the line, this image may yet be a hint that not all things were right at Playfellow Workshop. (Woah, a television company working its artists to the bone to ensure they keep profits up? Who would've thought.)
Though again, this is speculation. At least largely speculation. Other than this, and the digit code, I have yet to find anything else in this image. If I do find anything, I'll be sure to either add it in the comments, or edit it in later.

- Image 3/4; "Lovely Eats" -

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Technicolor
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Black and White
This duo of images was what really sent me over the edge in wanting to dive into this ARG more than I care to admit, as I noticed that the things I had taken close eye of, none others had commented on. Hence this post, where I wish to catalog my findings so that others can use it as a springboard for their own discoveries.
First would be the obvious observation. Frank's book.
Supposed Gibberish
The book itself is, assumedly a cookbook. Though in the image, Frank wields a hammer. Something that I feel may have significance in the future. But at present, will only mention it in passing.
The book itself is not meant to be understood, at least in terms of in-universe justification. It would just be artists attempting to dress the book so it's not entirely blank. But on that same note. Why NOT leave it blank? I'm sure people would assume that it's a book for cooking. Why feel the need to add decoration in general?
Well that's because people like me exist, that take every little detail and run with it. Though, sadly, this little details holds little value outside of the simple "Lovely Eat!" anagram when re-arranging the letters. I figured that maybe you could re-arrange the letters into a new word. But I at present, I can't figure anything else from these letters. If you have any ideas, use this as a springboard.
NOW LETS GET TO THE GOOD STUFF
If you've taken to looking at the image before reading this post about it, you actually may not have noticed the bottom text on the screen.
We'll Be Right Back!
Seems pretty basic as is, yeah? But take a closer look. Do you see what I see? Almost as though it's written in invisible ink (Pun intended), there's WORDS there. Words that blend DIRECTLY into the image if you don't zoom in. At first, I immediately jumped to see if anyone else had mentioned it on the subreddit. But alas, nothing yet. So I'll break it. The words, after being run through an EXPOSURE filter, read as follows.
\"May Your Home Be\"
"May Your Home Be." A sentence that I practically hooped and hollered to discover. Though it felt... Incomplete. I scoured the rest of the page looking for absolutely any continuation to this sentence. But then it hit me.
What if it there ISN'T A CONTINUATION at all? What if this message, alone, is something uttered by someone at the formation of something grander? Something sinister. What if this message isn't meant to be; "May Your Home Be Blessed" What if it's, quite literally, "May Your Home Be."? What if this is talking, directly, about a home GAINING sentience? (I.E, Home, The Character.) What if this is referring to Wally's house GAINING it's sentience and becoming an entity in and of itself?
There's a lot of uncertainty in this ARG due to the nature of new people coming in. (Myself included). But I Think this is a deliberate choice of words by the creator. Whether that be the person making the ARG, or the person who put the message in there in-universe. One thing is certain in this entire ARG.
--- The House is ALIVE. It is a SENTIENT BEING. ---
It see's, feels, and understands everything that goes on around it. And this is something I think that leads into more points later on down this post. But I'll save that for when we get there. Onto the next image.

- Image 5: "Hello You" -

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Frank and Eddie out on the Post together. (They're kinda cute together tbh)
This one, for the most part, is one that I could only gleam one true piece of information out of. That is; The letters attached to the book, or article, on the right of the image. Which goes, as follows.
(From top to down)
T A B I W A T A I T W B G R T H J B E F W I H E L L O Y O U W
Now, there's two words that are quite obvious to me. "HELLO YOU" and the words "WAIT" Sitting in there amongst the jumble. Now, when writing these down in my notepad, I practically had a heart attack realizing that the letters were, ENTIRELY, meant to jumpscare me and others who were looking to dive into this ARG further. It may be a ciphered image, but as of right now, I'm not entirely sure. All I DO know is that the ARG is now DIRECTLY addressing the playereadeviewer. Which becomes a theme, from what I understand. The person allowing these leaks, or rather, the person directing us forward in discovery of new clues and discoveries, is either unknowingly leaving us clues, or outright purposefully leaving us clues to pick up on. Clues that I, and many others, are willing to pick up on.
Aside from this message, there's little else that I can discern form this page. At least for now. If I find anything, I'll post about it again. (As listed before)

- Image 6: "Wally's Wisdom" -

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Wally being kind of a smart-ass with his wisdom.
This next image does more to insinuate than it does to explain like some of the others. The evidence I've peeled off the top of this one is almost entirely circumstantial and theory-based. So I would ask that you please bare with me in this one, as I'm going to let my imagination flow with explaining the information presented. Breaking it up into parts for ease of understanding.
- THE TEXT -
The text portion of this piece (Excluding the bottom right), is the second most curious work in this piece. (Beauitful artwork aside.) The text, assuming that it's not done for purpose comedic timing, seems to be broken in some manner. If you recall from my earlier explanation on the first photo in the welcome home gallery, I mentioned that;
"Whoever published the advertisement, purposefully kept out this character for the sake of maintaining the character's concealed identity, but didn't want to put the effort forward to fully conceal it's existence" - A sorta cool guy
I think what we're seeing here is another example of that same influence being put onto Wally here. As is indicated by the comma adorning his response. It's something that, admittedly, is really funny due to the fact that Wally responded the way he did. And it, granted, did take me a minute to fully get the joke. But what if it isn't a joke? What if it's just Wally being censored once again from speaking on a certain topic. Like, it seems like he truly replies to the question/request doesn't he? As though he says something along the lines of; "Yes, a penny saved is a penny earned...! I hope that helped!" Or gives some other sort of advice on the matter that, for some reason, needed to be struck from the writing. Whatever it is, it didn't sit well with me for a moment. At least until I laughed, realizing that the, most likely intended, way to take this piece would be Wally taking it as someone LITERALLY asking; "Can I ask for advice?" And him replying 'yes! Hope that helped!'
The second thing in regards to the text is that it addresses Wally's house, or Home. As just that. Home. As if it is its own entity. (Which, as is proven by the website and sources, is true. it is alive.) It feels STRANGE that this voice, not only doesn't have a subject in which to come from, but is instead just a void-less thing raising the question. Of course, it's a children's book. That tends to be the case with things in regards to logic or leaps in it, to deliver on a scene or message. Like Pooh bear stumbling on a pot of honey. You're not supposed to think about who put it there, just that "Oh, he found it. Cool." I think this works in a similar manner. But considering the context of which we're viewing these stories, it adds a sort of uneasy feeling to my stomach.
Finally, the words in the bottom left are too vague to surmise anything from. "DO NOT P-" Could be many things. What I assume it to be is "DO NOT PUBLISH." As the copy we're shown could be from an early rendition of the childsbook. (Which supports my theory further down the post about the hand present on the page.)
--- THE HAND ---
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Them Grippers
If it isn't obvious enough, the puppet hand seems to be DELIBERATELY places there in order to be noted by people looking for clues or other hints as to what's currently going on.
I think, particularly in this case of purposefully putting things before us to consume, it's safe to say that this, the character holding the book open and taking a picture IS A PUPPET. Very obviously this is not from the page. As can be deduced by the shadow present. It's also not pose-processed, as the lighting seems to line up with every other aspect of the image. No, this is something, or someone holding the book open to SHOW US the page. To SHOW US this particular drawing, for some reason. ON TOP OF showing us that THEY'RE the one's here showing this page to us. They're showing themselves a bit. Whether as a taunt, reminder, or absent-minded slip, we now know that SOMETHING or someone is taking some of these pictures. And, presumably, holds these children's books in good enough quality to warrant sending it to the Restoration project. They either want to be seen, o want to convey a message. (And I mean this both from their perspective, and the ARG creators perspective.) I can deduce on theory that /may/ be a bit finnicky, but would be startling to discover if true.
The Restoration Project is being supplied information by the Puppets themselves.
Or at least one of them. That one being Wally. Who, if my morbid brain is telling me correctly, is the last remaining puppet of the original show. The state at which he is in? Unclear. From the state of the hand? It seems to be in good condition. But we don't see the rest of the body. And therefore, we can't assume much (I mean we can, but I wanna try and stay at least a little bit on-track here.)
This in general is either a slip-up, or done purposefully. Both of which would be valid in their own respective theories. Whether they be yours or supporting another's. This page gives us some potential insight to what or who is sending the Restoration project it's data and information. And, from the words we can assume from the welcome page; I don't think that's a good thing.

- Images 7-12: Be My Valentine! -

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Reduced size for Post Image Limit
These sets of images are not only absolutely and almost SICKENINGLY adorable. (In a great way), but they're also, probably, the ACTUALLY most innocuous images in the collection. These Images are, supposedly, attached to the Card's present in-universe that people would give out to folks during Valentines day. THe only problem? Wally and Barnaby don't HAVE any of these cards. EVERYONE in town has cards EXCEPT Barnaby, Home, and Wally. Which, if my assumptions are correct, paints a semi-ominous picture as to what might be going on in Welcome Home. (This will be elaborated on later in the post don't worry.)
Aside from wanting these to be real. (If you're reading this, making some of these as a charity product would be so cute, and I'd order more than I should probably, legally, own.) I'm willing to admit these have me, effectively, stunned. I'm not sure what they mean, besides being works of art. (Which is ironic.) But when me and my friends figure it out, I'll make a post about it.

- Other, Unrelated Notes -

Due to the fact I've been at it for half a day now, I wanted to wrap up on things that I'm SURE of. As opposed to things I may be theorizing about. Though, in truth; There's SO MUCH MORE to these images, and the other images in the archived gallery. But for the sake of not making this post novel-length, lemme wrap things up with some quick fires. (I'll elaborate on things in more posts to come. But I wanna collect enough evidence to JUSTIFY a big post. Y'know? I don't want to push everything out bit by bit and be a pain in the neck for mods and readers trying to get a concise(ish) story.)
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--- THE HOLD UNDER THE HOUSE ---
The said hole under said house
If you've been keeping your eye on the Sub lately, you'll've noticed that, upon using Inspect Element to delete the gif of Home from the Neighborhood, you'll find an honestly haunting hole in the ground. Presumably BENEATH the house. This feeds into a theory I have about Wally, Barnaby, and Welcome Home in general. But I'll elaborate on that in the "BIG THEORY" Section.
For this in particular, it's practically yelling at you that Wally, and by extension Barnaby, are WELL AWARE of what's happening in Welcome Home. Home (The Character) Being the center of EVERYTHING happening in this ARG. THE Evil that's infecting the world and its people. The House, Wally ,and Barnaby, I think, are responsible for a lot more than what we presently know. This just being an indicator of it.
--- THE RESTORATION TEAM ---
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Something is wrong with the Restoration Team
There's something wrong with the Restoration Team.
OR at least someone is speaking to us through the site that isn't on the Restoration Team. But I believe that there is something intrinsically wrong with the leader, or at least the spokesperson for the restoration team. Something sent in the first letter has gotten ahold of them. Or at least I believe that some supernatural entity has poisoned the people on the Restoration Team. Something has gotten in early, and dug its nails into them. This post being one of the, presumably, few cracks in the mask I think we're going to see on the team. That may or may not lead to more discoveries down the line.
--- Wally Sees US ---
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Who's this W a LL y?
Another thing of note is the Guestbook. Scrolling to the empty boxes, we can see that, indeed, someone is typing. Or rather, someone knows we're looking. WALLY knows we're looking. Or at least someone sharing Wally's identity knows that we're looking for clues. Looking for any information we can about his whereabouts. Where HE might be. And I think this Wally. (Who I'll Wall-A) Finds it amusing. As if to taunt us. I see this "Silly Silly" as a taunt. As if to mock us for looking deeper. Mock me for looking deeper.
Though there's something else that brings /anothe question to light. Or rather, some ONE else.
Who on earth is W a L L y? (Who I will call Wall-B.)
Wall-B doesn't seem to be the same person as Wall-A. Wall-B seems to typing to someone. Maybe a fan? I imagine that if a hardcore lover of Kermit sent him a letter, they'd expect a letter back in their grand delusion of ego. But this Fan didn't get a letter back from Wally. instead, Wall-B got nothing. As far as we know, Wall-B didn't so much as get an acknowledgement in the Guestbook. Thus sparking this immature little outrage in white text. Something that, I'm assuming, is being hidden by the Restoration Team to either save face, or generally moderate. Which I don't blame them for. But that still doesn't answer the question.
Who IS WALL-B?
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- The Big Theory -

Theres a lot of things that I could pull from to support a wide range of theories about Welcome Home. Corporate Meddling, Malicious Summoning, Possession. All of it is valid, as the best part of ARG is the fact that you never know what the REAL Truth is. Only the person who made it knows the truth. And they want to see what everyone comes up with. So I'll spit my current theory now, then mold it later on depending on what new evidence comes to light because, FOR SURE, new evidence WILL Come to light.
v v v v v v
Welcome Home's problems started when they had hit it big. The money they were raking in was, I would assume, akin to Muppet money. Star Wars Cameo Muppet Money. So much money that it lead to a boon in merchandising, brand deals, magazine ad spots, paper craft toys. The WHOLE caboodle. The creative team on Welcome Home flourished at first. Making art of the characters they created and loved. Though, as they got bigger. Things started to change. Corporate started stepping in. Forcing them to begin making changes to the show. Making more merchandise. Drawings. Valentine's cards. Holiday Specials. They wanted to merchandise the HELL out of Welcome Home. Now, whether this is the inciting 'incident' or not is something I've yet to piece together. We only truly know about the WORLD of Welcome Home. Not the company and studio who PRODUCED it. Somewhere along the lines, someone in the creative sphere found something. Whether it be tied to the Welcome Home property in general, tied to the characters, or tied to the company, Playfellow Workshop. SOMEONE got a hold of something that would infect the very brand of Welcome Home by the roots. Situating itself deep into the core of the show. Wally. Wally and his happy house, Home. It infected the creative team first, I would assume. As they were the most closely involved with the creation of Welcome Home. Through them, it would spread to Corporate. Eventually dismantling the entire empire all on its own. So much so that it wiped Welcome Home from the general subconscious. That is, until, either, it was no longer satisfied, OR the Restoration Team came knocking at its door. Wondering whatever happened to their favorite kids show, Welcome Home. From there, whatever entity not entrenches itself in the puppets of Welcome Home sent a letter. Packaged in it was a piece of history. As well as a piece of itself. With that piece, it was able to attach itself to a new host. Passing on the possession to even greater heights than before.
^ ^ ^ ^ ^ ^ ^
That's all my working theories and observations. I'll post more when I get there. Me and my friends are diving head first into this world. Something isn't' right here, and I don't think we should trust the people giving us the information here. People were theorizing earlier that the doodles on the message book were Wally talking to us. But I don't think that's true. This is the Archive, remember? It's a restoration project that, in its entirety, is trying to catalogue everything they know about what happened to Welcome Home. Why would Wally be here? Unless... The person running the site shares a similar mind space with Wally. Only then would it explain it.

Does anyone know of a large database/website anywhere of exactly what parts have been recovered for each dinosaur (for most complete specimen)? I'm basically looking for diagrams of known dinosaurs with clarity of which parts of remains are known and which are inferred but without have to search for each individual species.
Like this for example:

With Liverpool's season effectively over at the Bernabeu, many have turned their attention towards the upcoming rebuild instead of our final push in the contention for the CL spot. Journalists, Klopp, and even the players themselves have referenced over and over again the necessity of new signings with departures rumoured if not confirmed. The signs are there for a summer overhaul of the squad; this rebuild will in all likelihood be Klopp's final attempt at building a title-challenging Liverpool.
Through writing this, I hope that I can illustrate what our rebuild should entail, what kind of players Liverpool should sign in the upcoming transfer window and several candidates that should fit this assessment. For the sake of brevity, I won't be as detailed with the stats as my Mane post, more so due to the scale of a rebuild in comparison with replacing a single player. Also, bear in mind that personally, I see most of the candidates listed here as unrealistic signings. Even if unrealistic, these players should at least paint a picture of the kind of players we should be looking at in the summer.
Having said that, let's take a look at Liverpool's current line-up and assess where we can strengthen the ageing and declining squad.

1. Assessing Liverpool’s Decline

1.1. The Academy

Let’s start with what I consider to be the club’s most important infrastructure: the academy. Our youth intake can now boast another future starter in their most recent graduate: Stefan Bajcetic; a proud moment for the academy, and a tragic one for our midfield. Aside from Bajcetic, plenty of soon-to-be academy graduates are also shaping up their game with Conor Bradley, Leighton Clarkson, Sepp van den Berg, and Tyler Morton all playing a role in their respective loans.
Stefan Bajcetic, Sepp van den Berg, Tyler Morton, Conor Bradley, and Leighton Clarkson
The current academy squad is also no slouch, with Ben Doak and Kaide Gordon leading the way well beyond their age peers. Amongst the current crop of our young talents, I also suggest taking notes on Bobby Clark, Isaac Mabaya, Luke Chambers, Melkamu Frauendorf, Oakley Cannonier, and Trent Kone-Doherty. These are talented youngsters that in all likelihood will feature in the early stages of our annual youth-driven Carabao campaign, and might be sitting on the bench should an injury crisis emerge.
All in all, a pretty healthy youth setup full of promising youngsters with room to grow.

1.2. Goalkeepers

Next are our number 1s: Alisson, Kelleher, and Adrian. With that line-up of goalkeepers, right now goalkeeping is the least of Liverpool’s worries. Alisson this season has been one of if not outright the best goalkeeper in the world, with 29 goals conceded out of a post-shot expected goal (PSxG) of 37.2. Outperforming one's PSxG can be explained by either luck or skill, and personally, I do think the latter is a more plausible explanation than the former for Ali. Other websites would illustrate this point through terms such as PSxG-GA or "goals prevented"; in Ali's case, he would have a top 5 league-leading "goals prevented" of 8.2.
Kelleher and Adrian are solid backups and unfortunately, that solidity is one reason why Liverpool should be looking at signing a backup goalkeeper. Kelleher should now have plenty of suitors seeking his services after his cup heroics. With his game time limited by the best keeper in the world, he should now be looking at other clubs as the next step in his career. While Adrian remains a solid 3rd option, his recent cameos leave much to be desired as our first backup. Of course, Harvey Davies from the academy could step up to the occasion as his predecessors had risen for the backup spot: Kelleher and Ward. A safer option though is signing a deputy goalkeeper in the case of Kelleher’s departure.

1.3. Defenders

Unlike our excellent goalkeeping situation, the players forming our backline seems to have declined significantly in terms of performance. From a title-challenging backline to conceding 3 more goals in 12 fewer games, the regression of our defence is far too steep to be justified by the midfield’s mediocrity alone. Similarly, placing our woes solely on the backline would mean missing the bigger context of what went wrong with Liverpool’s defence.
Surprisingly, certain players are actually outputting more numbers in their defensive stats this season. This can indicate either an improvement in defensive abilities or failure of defensive duties from the midfield; both are valid interpretations of the data available. Looking at the data within this context, 4 data points jump out as highlights of our declining back-line: Aerial duels along with challenges lost for Gomez, Matip, and Virgil, and carries into the final third along with dispossession for Robertson and Trent.
Long gone are the days of Matip and Virgil clattering every striker competing for long balls. In aerial duels, both are shadows of themselves compared to their title-winning season. As for challenges lost, Gomez and Matip’s erratic charts can be explained by their injury woes; what is far more concerning in my opinion is Virgil’s steady decline since 2021. What started out as scouting a replacement for Matip might end up as the search for Virgil’s successor.
A comparison of Gomez, Matip, and Virgil's aerial duels won and challenges lost in the Premier League in the last 4 years, courtesy of FBRef.com
As for Robertson and Trent, two trends are observable in their charts. The first is that our fullbacks are no longer playing as two pseudo-wingers terrorizing the opposing backline. Trent in particular seemed to have adopted a far more conservative approach in progressing the ball and occupying a deeper space behind Salah. One could argue that Henderson’s decline and a growing reluctance to cover for Trent led to this transition, but another thing to note is that the same trend can be observed with Robertson this year. It wouldn’t be unreasonable to say that currently, our fullbacks are being held back by a lack of adequate defensive cover in the midfield.
A comparison of Robertson and Trent's carries into final third and dispossessed in the Premier League in the last 4 years, courtesy of FBRef.com
The second observable trend is that our fullbacks are also losing the ball far more often than they had done in our title-winning year. Although that might sound obvious as a result of their predisposition to overlap and deliver dangerous crosses, keep in mind that our fullbacks are becoming more conservative over the years. This means that when they do lose possession, they more often than not lose it in areas closer to our goal than ever before. The lack of defensive midfielders covering for them along with our high defensive line exacerbates this conundrum of frequently conceding possession in dangerous areas.
Within this context, it comes as no surprise that Ramsay lacks Klopp’s trust whilst Milner seems to be playing more often as the deputy right back. Placing the teenager whilst opposing clubs are actively targeting his side of the pitch would be a literal baptism by fire. Milner on the other hand has the experience to stop the opposing team’s quick transition in these areas through a combination of gamesmanship and tactical fouling.
Speaking of deputies, Tsimikas’s excellent showing in cameos should now interest other clubs seeking services. Unfortunately, we now face the same situation as Kelleher with a backup option too good to happily accept a bench role. The sensible thing to do now would be to sell him off at his highest value and sign a backup left back with the potential to Robertson’s place.
All in all, a noticeable drop off in comparison to 2019/2020 for all defenders involved, and unfortunately a steep decline from Matip whose departure might be the best course of action for all parties involved. Should Virgil continue to regress further along the season, signing a successor needs to be a priority in the summer transfer window. In addition, Klopp needs to either trust Ramsay in Trent’s role or sign a new deputy right back alongside a possible replacement for Tsimikas in the summer window.

1.4. Midfielders

Anyone blessed with the gift of sight can clearly see our midfield as the biggest culprit of Liverpool’s recent misery. More specifically, the two stalwarts of Liverpool’s midfield three, Fabinho and Henderson, seem to have fallen off a cliff form-wise. Injuries to Keita, Ox, Thiago and even loanee Arthur make matters worse as Liverpool struggle to field a reliable midfield.
Taking a look at the defensive stats of our number 6s we can clearly see a decline in every facet of their defensive contributions
A comparison of Fabinho and Henderson's aerials won and dribblers tackled in the Premier League in the last 4 years, courtesy of FBRef.com
Aerial duels, ground duels, interceptions; every stat line serve as a testament to the decline we’re seeing in every match of the season. If the charts didn’t convince you that we needed an entire midfield overhaul in the summer, nothing probably could. Signing a replacement for the defensive midfielder role should be the number one priority for the next transfer window, and it probably would be if we didn’t have a circus at our number 8 positions.
A comparison of Fabinho and Henderson's interceptions and tackles in the Premier League in the last 4 years, courtesy of FBRef.com
For our box-to-box midfielders, we have Elliott and Jones who couldn’t contribute much defensively, Keita and Ox leaving in the summer, along with injuries to Arthur and Thiago. This perfect concoction of a shitshow we’re currently facing means that 18 years old Bajcetic and 37 years old Milner are somehow competing as Liverpool’s best midfielder this season; something has clearly gone terribly wrong. Reinforcements for the midfield, especially box-to-box midfielders, are paramount to the success of Liverpool’s final season with Klopp.

1.5. Forwards

Last but not least is our frontline. Thankfully, we’ve already begun the process of rebuilding our declining front line with Mane’s transfer to Bayern and Firmino set to depart at the end of the season. What we’re left with is a still very productive Salah alongside Diaz, Jota, Gakpo, and Nunez as our next generation of forwards. Fabio Carvalho and Harvey Elliott are also available as depth options, and hopefully with enough experience, as competitors for the starting spot.
The only conceivable gap in our front line seemingly stems from rumours of clubs interested in acquiring Jota’s services. Even if he had lost his starting place recently, selling Jota means that Liverpool will lose a talented forward that can cover multiple areas of the pitch. Should Jota prefer to play elsewhere with a guaranteed starting spot, Liverpool should replace him with a forward that can similarly provide tactical flexibility on the pitch. With Diaz, Gakpo, and Nunez more than capable of filling in Jota’s natural position, perhaps Liverpool should look at right-wingers available on the market instead.

2. Profiling the Traits of Liverpool’s Future Signings

As per our assessment, we need 2-3 starting midfielders, a centre-back, possible replacements for Jota, Kelleher, and Tsimikas should they depart, and a deputy for Trent should Ramsay fail to impress Klopp. Finding candidates for these roles should be an easy enough task, right? We can simply map out the ideal traits of a Klopp player, and seek out suitable talents that perform well statistically in each role. Thus, for each role we need someone with the following traits:
All: Comfortable in possession. GK: Accurate distribution, runs out to clear the ball. CB: Dominant in duels, high-volume ball progression and defensive contribution. FB: Excellent crossing, high-volume ball progression and chance creation. DM: Dominant in duels, high-volume ball progression and defensive contribution. CM: High-volume ball progression, chance creation, and defensive contribution. RW: High volume ball progression and chance creation.
Of course, these traits will filter well-performing players in the scope of their statistically observed performances. Aside from these attributes, we also need to consider several factors outside of the boundaries of each statistic such as:

2.1. Injury Record

The first priority for our new signings is simple: no reoccurring injuries that could make them unavailable in Liverpool’s gruelling schedule. We’ve all seen the games missed chart with Liverpool at the bottom, a whole quarter ahead of 19th-placed Chelsea. Permanently signing players prone to injuries would be repeating the same mistakes of our previous campaigns.
A pristine injury record is nice to have, but should not prevent us from signing quality players with the occasional unfortunate injuries. The keyword here is “occasional”; any player with an extensive injury record should still be barred from our candidate list.

2.2. Tactical Adaptability and Liverpool’s Playstyle

Another thing to note is the difference in playstyle between the candidates’ current club and Liverpool. Klopp’s system is especially rigid in practice, making it more difficult for players in clubs with little to no similarity in their tactical setup. Only 4 players have adapted perfectly to Liverpool’s system the moment they play under Klopp: Alisson, Firmino, Salah, and Virgil; three of them are undoubtedly world-class, while the other is a literal incarnation of the system itself.
Of course, that doesn’t mean that players in terrorist-adjacent clubs should be barred entirely. Instead, players who should be more familiar with Klopp’s system are given preference over their similarly well-performing counterparts.

2.3. Preferred Traits vs. Performance-Oriented Traits

This leads us to another facet of Klopp’s system, the requirement of very specific traits in each positional roles. This can lead to identifying players who performed well in their current roles but are unsuitable for Liverpool. Conversely, this can also lead to missing out on players who could perform well in our setup but are limited to their current unsuitable role.
Let’s look at goalkeepers as an example, on one hand, we require a keeper with a good distribution that plays comfortably in a high defensive line. On the other hand, limiting our candidate pool to players with these traits can lead to missing out on excellent goalkeepers who are unable to display said trait in their club’s tactical setup.
A balanced approach then should consider this collective vs. individual facet of a player. A well-performing candidate should still be considered even if they’re playing in an unsuitable setup. The priority of course remains to seek out suitable traits in our candidates, but exceptions need to be made in the context of a candidate’s performances collectively vis-à-vis individually.

2.4. Difficulties in Acquiring Players

Last is the sale availability of the players themselves. Liverpool is a historic institution competing against Europe’s most prestigious clubs, but that doesn’t mean acquiring players is a straightforward task. The most oft-told factor is CL spots and while that may be a hindrance in signing certain players, internal club policy dictates that such candidates are eliminated early on. A bigger problem for Liverpool is actually how talented the current players are.
Think for a second that you’re an up-and-coming young player negotiating with Liverpool and other clubs. Your inner fan would obviously accept Liverpool’s offer, but existing players could ensure that your time at Anfield is spent more on the bench rather than the field. If you’re a goalkeeper, are you sure you want to sign with a club with the world’s best in your spot? Or as a right back, can you compete with the most creative player of his generation for game time?
Of course, this doesn’t mean that we should limit ourselves to academy graduates and players comfortable on the bench as our backups. Instead, a smarter look at clubs beneath our stature should guarantee more willingness for players to sign for us. For the average top 5 league starting goalkeeper, signing for Liverpool means a drastic reduction of on-field actions. For the same starting goalkeeper recently relegated? The bench at Liverpool might be a more attractive career trajectory even with limited game time.

3. Candidates

3.1. Goalkeeper

For our goalkeepers, I limited myself to clubs either well below our stature or likely to be relegated to increase the sensibility of the transfer. Although they’re playing in inferior teams, that does not necessarily translate to being bad goalkeepers themselves. One, in particular, is even leading La Liga in PSxG-GA, though unfortunately, an excellent goalkeeper can only do as much as his teammates allow him to.
Edgar Badia, Gavin Bazunu, Marco Carnesecchi, Emil Audero, and Paul Bernardoni
Edgar Badia. 31. Elche
The first candidate is unironically the worst fit for Liverpool. With a reluctance for rushing out attackers and a similar age profile to Alisson, he is nowhere near the ideal solution for the GK spot. Why is he my first choice you ask? Well, his PSxG-GA figure of 7.0 is top of the charts in La Liga and 3rd in the top 5 European leagues. Additionally, his 3 penalties saved and relatively accurate long pass completion percentage of 45.1% make him an attractive addition to the team.
Gavin Bazunu. 21. Southampton Marco Carnesecchi. 22. Atalanta, on loan at Cremonese
The next two candidates all fit the criteria with asterisks beside their names. In particular, Bazunu PSxG-GA leaves a lot to be desired while Carnesecchi's reluctance to rush out might not fit Liverpool’s high line. What both have in common however is a high ceiling for growth and the occasional moments of brilliance common in rough and unpolished goalkeeping gems. Some highlights include their respective matches against Manchester United and Bologna. Under Alisson’s tutelage (and Taffarel's to boot!), both could very well develop into worthy competition for the starting spot.
Emil Audero. 26. Sampdoria Paul Bernardoni. 25. Angers
Audero and Bernardoni are in ways very similar to Bazunu and Carnesecchi. Like Carnesecchi, Audero’s lack of defensive actions outside the penalty area may limit Liverpool’s high line. Bernardoni is also very similar to Bazunu with a below-standard PSxG-GA and excellent rushing-out numbers. Although the two are inferior in ceiling and statistics wise, both are still performing at an acceptable level for the role of Liverpool’s bench option. In addition, goalkeepers mature differently from other football positions. They might show improvements well into the years to come should they sign for Liverpool.

3.2. Centre Back

For our centre-back position, we need players who can progress the ball as well as Matip without sacrificing any sense of defensive acumen and solidity. As mentioned previously, dominance in aerial duels would be a huge bonus for our candidates due to Virgil’s slight decline and Matip’s fallen form in these stats.
Kim Min-Jae, Edson Alvarez, Ko Itakura, Goncalo Inacio, and Kevin Danso
Kim Min-Jae. 26. Napoli
The monster himself needs no introduction. Helming the defence of the Scudetto’s leading contender, the former Fenerbahce defender established himself amongst Europe’s greatest centre-backs after a successful debut season for Napoli. His presence in this list is for one sole reason: the reports of a vastly undervalued release clause in his Napoli contract. Even if his actual fee were to be higher than reported, Liverpool should do everything in its power to recruit what could very well be Virgil’s replacement when the opportunity presents itself.
Edson Alvarez. 25. Ajax Ko Itakura. 26. Monchengladbach
Edson Alvarez and Ko Itakura are amongst the best ball-playing centre-backs playing right now. What they lack in traditional defensive stats such as clearances and interceptions they more than make up for in other areas more related to Liverpool’s possession-heavy setup. With 88.1% and 91.3% pass completion rates and averaging 78.2 and 72.62 passes attempted per 90, they can without a doubt replicate Matip’s excellent ball distribution.
The similarities to Matip don’t end there. Averaging 1.75 and 1.1 progressive carries per 90 alongside 0.7 and 0.41 successful take-ons per 90, Alvarez and Itakura are more than capable of executing Matip’s signature run. In addition, both of them excel at different areas lacking in Matip’s game. For Alvarez? A tackling rate of 3.04 per 90 compared to Matip’s 1.78. For Itakura? A blocking rate of 1.92 per 90 compared to Matip’s 0.53. As a cherry on top, both are also very capable of playing in the number 6 role should another midfield crisis emerge.
Though the stats do indicate Alvarez as a better player, both would be a very welcome addition to the club.
Goncalo Inacio. 21. Sporting Kevin Danso. 24. Lens
Goncalo Inacio and Kevin Danso are more traditional centre-backs compared to Alvarez and Itakura, but incompetent in possession they are not. They may lack the tactical flexibility provided by the two aforementioned candidates, but what they can provide is excellent ball distribution and the potential of a higher ceiling over the years.
Inacio’s better stats overall, left-footedness, and younger age edge him out as my preference out of the two.

3.3. Right Back

Trent’s age makes finding a deputy for him a bit awkward as good senior right-backs wouldn’t want to join in as a bench option, while promising right-backs are almost all at his age bracket. The options then are either younger players with the potential to usurp his position or seasoned players outside of the Champions League.
Vanderson, Jonathan Clauss, Przemyslaw Frankowski, Yukinari Sugawara, and Arnau Martinez
Vanderson. 21. Monaco
A promising full-back perfecting his trade in Ligue 1, Vanderson is a future star in the making. At 21 years old, his stats far exceed his age peers, excelling in progressive passes, take-ons, tackles, interceptions, and blocks. Investing in Vanderson at this stage of Trent’s career would either mean a transition in his position to midfield a la Kimmich, or the best modern right-back pairing in Liverpool’s history.
Jonathan Clauss. 30. Marseille Przemyslaw Frankowski. 27. Lens
Jonathan Clauss and Przemyslaw Frankowski would need some convincing to come to Liverpool, but the effort would be worthwhile should Trent’s form continue to decline. Both players’ origin as wingers in the early days of their careers would suit Liverpool’s playstyle to a tee with the numbers to back them up. The gung-ho nature of our fullbacks, marauding in every transition would see both players flourish under Klopp’s instructions.
Yukinari Sugawara. 22. AZ Alkmaar Arnau Martinez. 19. Girona
Yukinari Sugawara and Arnau Martinez fulfil very contrasting roles at a similar age bracket; and as different as they are, what they’re offering as a rotation option would fill in gaps in Liverpool’s line-up all the same. Sugawara is a right-back shifted from the right-sided midfield position while Martinez is a right-back shifted from the centre-back position, and as a consequence, signing either of them would fill another gap in each respective natural position.
Tactical flexibility isn’t the only reason to sign either of them, both are also very productive numbers-wise. Sugawara is a very good attacking right back with 3 goals, 6 assists, and 10 goal-creating actions in the league to his name. The same can be said with Martinez, who although isn’t as offensively influential as Sugawara, can still produce 2 goals, 2 assists, and 4 goal-creating actions to his name. Conversely, Sugawara lags behind defensively while Martinez is ahead of him in all defensive stats.
Though the two would be astute signings, Sugawara’s offensive productivity alongside a possible role as Salah’s deputy edges him out of the two.

3.4. Left Back

Assuming Tsimikas’s departure, a similarly high-output backup for Robertson is essential for two key reasons. One is that in my opinion, the Greek Scouser breathing down Robbo’s neck is an essential part of why he is still one of the world’s best in his position. Another is that Robertson’s age should start slowing him down sooner or later, replacing Tsimikas with an equally talented replacement would ensure a continuity of excellence in our left-back position.
Jose Gaya, David Raum, Adrien Truffert, and Quentin Merlin
Jose Gaya. 27. Valencia
Why on earth is he still playing for Peter Lim’s Valencia? No explanation is needed for Gaya as he remains one of the best left-backs in the world, despite playing for a self-sabotaging owner. Should Valencia be relegated this season, Liverpool would be foolish to not even consider signing him up.
David Raum. 24. RB Leipzig Caio Henrique. 25. Monaco
David Raum and Caio Henrique are two very good attacking left-backs who might even be an upgrade over Tsimikas. Though, by the same logic, acquiring either of them would cost Liverpool a significant amount of capital for a position we’re quite happy with at the present. Although Henrique’s numbers are superior to Raum's, the underlying stats do show the former to be more consistent in creating chances for his teammates. Raum’s higher numbers in defensive stats edge him out as my personal preference between the two.
Adrien Truffert. 21. Rennes Quentin Merlin. 20. Nantes
Adrien Truffert and Quentin Merlin are two promising left-backs currently playing their trade in Ligue 1. Although still very young, both are producing respectable numbers for a full-back, especially at their age bracket. The two will probably sign for another club before blossoming into higher-calibre players, as is the case with Robertson in Hull. Accordingly, a case could be made to sign either one of them as Robertson’s French protégé. Truffert’s higher numbers in both assists and defensive stats lead me to favour him at the early stages of their careers.

3.5. Anchor Midfielder

Due to Klopp’s tendency to play a pseudo-back three in possession, the candidates for our number 6 role need to possess similar attributes to our centre-back candidates. Unfortunately, due to the defensive nature of the role, stats used to gauge a player’s ability in possession such as passes attempted, pass completion rate, progressive carries, and progressive passes are all rendered unreliable with plenty of clubs happy to see their number 6 sitting back for the duration of the game. Liverpool though does need to have these traits in our defensive midfielder, so candidates possessing them would gain an advantage over players in more counter-attacking teams.
Declan Rice, Joao Palhinha, Manuel Locatelli, Manuel Ugarte, and Florentino Luis
Declan Rice. 24. West Ham
England stalwart Declan Rice is one of if not the most sought-after players for his position, and with good reasons too. With an excellent eye for interceptions and a terrific success rate for duels won, he would bring comfort and stability wherever he goes. Possession-wise, he is also the leading contender, high volume of passes, an excellent pass completion rate, and very good numbers in ball progression. Overall, the perfect player to fit in the number 6 role.
Joao Palhinha. 27. Fulham Manuel Locatelli. 25. Juventus
With competition to Rice’s signature and his homegrown status driving up his price. Joao Palhinha and Manuel Locatelli are more than capable of emulating what he could achieve at Liverpool. Defensively they perform at a similar level to Rice, and in some aspects are even better suited to Liverpool’s playstyle. An argument can be made for Palhinha as the best in the world in terms of duels, as he is leading the top 5 European leagues in tackles whilst offering higher aerial duels and clearance numbers than Rice. Locatelli is no slouch either, achieving higher numbers than Rice in all defensive stats barring interceptions.
Palhinha’s higher numbers in duels make him the clear choice between the two, though, Locatelli’s much better possession stats do indicate him as the better fit for Liverpool.
Manuel Ugarte. 21. Sporting Florentino Luis. 23. Benfica
Florentino Luis and Manuel Ugarte are far from being the best at their position, however, they should be a wiser long-term investment than the other candidates. The two play a key role in their respective Portuguese clubs, demonstrating excellence at a young age week in and week out. With elite defensive numbers in duels and interceptions, Luis and Ugarte are both without question excellent defensive midfielders only a big transfer away from worldwide recognition.
Albeit inferior to Luis in terms of his ability in the air and with the ball, Ugarte’s younger age profile makes him my preferred choice out of the two.

3.6. Box-to-Box Midfielder

As the main engine of the team, our midfield candidates should be able to progress the ball well while maintaining a high defensive output in part due to Liverpool’s tactical set-up. While Liverpool’s system means that high creative output isn’t vital for our candidates, they should nevertheless be involved in the build-up and transitional phases of a game, whether through progressive passes, progressive carries or taking on opposing players directly.
Jude Bellingham, Mikel Merino, Ismael Bennacer, Manu Kone, and Enzo Le Fee
Jude Bellingham. 19. Dortmund
Currently one of if not outright the best in his position, simple as.
Mikel Merino. 26. Real Sociedad Ismael Bennacer. 25. Milan
Mikel Merino and Ismael Bennacer both fit the bill well for the number 8 role in Klopp’s midfield three. Should either one of them sign for Liverpool, they would add a defensive integrity solely lacking due to Fabinho and Henderson’s decline. Both also offer different defensive traits to their midfield; Merino is excellent in aerial duels and clearance, while Bennacer is better at ground duels and interceptions.
Merino’s dominance in the air edges him out as my preferred choice between the two players.
Manu Kone. 21. Monchengladbach Enzo Le Fee. 23. Lorient
Manu Kone and Enzo Le Fee might cost the least in this category, but acquiring either of them would significantly strengthen Liverpool’s midfield. As are the candidates before them, Kone and Le Fee excel in ball progression. Both are elite in taking on opposing players, with Kone and Le Fee placing in the 99th and 96th percentile in terms of successful take-ons across all midfielders in the top 5 leagues. Similarly, both maintain a good rate of progressive carries and passes, with Le Fee in particular performing at an elite level in terms of carries.
Defensively, they’re no slouch either. Kone and Le Fee are producing more than-average numbers in blocks and interceptions, and very good numbers in tackles. Le Fee’s lack of physical stature seems to not be a hindrance, as his 3.29 rate of tackles per 90 places him in the 95th percentile in terms of tackles. All in all, two very good midfielders who would fit perfectly in Klopp’s midfield three.

3.6.1. Playmaker Midfielder?

Liverpool has been rumoured to sign Mason Mount for months and honestly, the thought of him in the squad throws a wrench into my original draft. Initially, I thought that Liverpool needed at least 2 starting box-to-box midfielders to fill in our upcoming departures. Mount though can fill in for this gap alongside other offensive roles should another injury crisis emerge at Anfield. Should he choose to stay at Chelsea, Liverpool can either pursue another no. 8 or an alternative flexible playmaker instead. This section is written with the assumption of the latter, rather than the former.
Mason Mount, Daichi Kamada, Brais Mendez, Lovro Majer, and Aleksandr Golovin
Mason Mount. 24. Chelsea
The team had been linked to numerous playmakers over the years, notably, the consistent Brandt and Gotze rumours before Mane and Salah’s meteoric rise. However, their arrivals see them either adapt as a number 8 (Wijnaldum), play on the wings (Carvalho), or even side-lined entirely to cup games (Minamino). Whichever the case may be for Mount, his brief time in the Premier League shows an excellent hardworking playmaker with the bonus of fulfilling our home-grown quota.
Daichi Kamada. 26. Eintracht Frankfurt Brais Mendez. 26. Real Sociedad
Daichi Kamada and Brais Mendez are both more than adequate alternatives to Mason Mount. Similarly, both play a creative role behind a striker, either centrally or as an inside-winger. Output wise they are currently amongst Europe’s most productive playmakers, with both contributing 7 goals alongside 4 and 3 assists in their respective league.
The two high-pressing playmakers are also more than capable of contributing defensively, with Kamada in particular performing well enough to be placed at the 90th percentile for tackles + interceptions across all midfielders in the top 5 European leagues. His tenacity to win the ball back edges him out between the two as my preferred choice.
Lovro Majer. 25. Rennes Aleksandr Golovin. 26. Monaco
The last candidates for a possible new role in Liverpool’s line-up are Lovro Majer and Aleksandr Golovin. Like Kamada and Mendez, both are creative playmakers with a willingness to press, tackle, and be the first line of their team’s defence. The two players though differ in what they could offer tactically. Lovro Majer’s higher numbers in passing completion, passing volume, progressive passes, and take-ons could see him shift to more of an attacking number 8. Golovin meanwhile with his much higher creative output could play as a deputy for the wingers.

3.7. Right Winger

With Jota rumoured to leave and Klopp refusing to start Elliott in his natural position, a gap remains dormant in Liverpool’s right wing. Candidates should have a respectable creative output, and a consistent ability to progress the ball higher up the field. Additionally, successful take-ons should be a high priority for the candidates. After all, with Sadio Mane’s departure, Luis Diaz is the only remaining player in Liverpool’s frontline with the ability to consistently beat his marker.
Moussa Diaby, David Neres, Marco Asensio, and Tete
Moussa Diaby. 23. Leverkusen David Neres. 27. Napoli
The first two candidates are Leverkusen’s Moussa Diaby and David Neres, both very good players with all the characteristics required for a winger. Attacking output? Check. Diaby’s 8 goals and 4 assists along with Neres’ 6 goals and 5 assists paint a picture of two very productive wingers. Ball progression? Check. Neres’ progressive carries, passes, and take-ons are amongst the best in his league, while Diaby’s progressive carries make up for his average passes and take-ons figures. The only missing part of their game is a lack of respectable defensive numbers, something fixable with enough sessions at Kirkby.
The age profile, numbers, and a harder league to play in making it a clear choice for Diaby. Even so, Neres would be an astute second choice should the cost of acquiring Diaby be too prohibitive.
Marco Asensio. 27. Real Madrid
A class creative playmaker available out of contract; to hell with Marco Asensio’s take-ons stats, refusing to sign a player of his calibre for free is a fool’s errand.
Tete. 23. Lyon, on loan at Leicester City Vaclav Cerny. 25. Twente
While the three wingers mentioned above are all very good in terms of performance, Tete and Vaclav Cerny are excellent in the sense that both are the perfect wingers for Liverpool. In terms of output, both are having the season of their life with 7 goals and 2 assists for Tete, and 9 goals and 4 assists for Cerny. In addition, both are also very good at beating their man with a successful take-on rate of 2.25 and 2.6 per 90. What makes them perfect for Liverpool however is their willingness to win the ball back out of possession. Amongst Liverpool’s frontline, our false 9s Jota and Gakpo are the only ones with comparable defensive figures.

4. Conclusion

At the minimum, Liverpool needs 3-4 signings to remain competitive in Europe. That amount though is an optimistic estimate that implies a return in form for the rest of the squad. Conversely, we are looking at 7-8 signings in the very worst-case scenario of further regressing performances and rumoured departures. Both sit at the extreme end of each side, and realistically speaking we should expect the real amount to be closer to the lower estimate.
Of the highest priority is signing 2-3 starting midfielders to address upcoming departures, and more importantly, the decline of Fabinho and Henderson. Reverting to Klopp’s double pivot is also a possibility with Firmino set to depart in the summer. Replacing Matip with a quality centre-back should also be a priority if Gomez and Virgil were to regress further along the season.
If Jota, Kelleher, and Tsimikas’s rumoured departures turn out to be true, we also need to replace them with adequate rotation options in each respective role. The last possible signing is fully dependent on Ramsay’s future. Once recovered from his injury, will Klopp trust him enough to bench Trent?. Should the answer be untrue, offloading him and acquiring another right back is the sensible thing to do.
The candidates I found most attractive are Declan Rice, Jude Bellingham, Kim Min-Jae, and Mason Mount. These are elite players that will not only transform Liverpool’s fortunes but also take shape as Klopp’s Liverpool legacy the same way Shankly’s 1972 rebuild had in footballing history. Of course, more sensible options are also available as well in these areas. Even then, the focus of the rebuild should still be acquiring and fielding the most talented players in these roles. Of lesser importance to Liverpool’s glory are the rotation options for the goalkeeper, right back, left back, and right winger spots. For these positions, Marco Carnesecchi, Yukinari Sugawara, Adrien Truffert, and Tete are all examples of sensible signings for each respective role without breaking the bank.
Credits to FBref.com and Opta as the main source of the stats, Transfermarkt as a source for candidates’ injury records and transfer estimates, and Excel for refusing to print my radar diagrams you useless anti-trust software. A big thank you to Opta especially as they finally added back progressive carries to Fbref.com the tight bastards.
Lastly, I began writing this article 2 weeks before posting it here. If there are any statistical errors or listed players who signed for other clubs since the time of writing, all I can say is ¯\_(ツ)_/¯.
TL; DR: Declan Rice, Jude Bellingham, Kim Min-Jae, and Mason Mount. Skim along the article for suitable alternatives and candidates in other less urgent areas of the squad.

Inner window seal on my 04 TJ keeps getting sucked in when I crank down my window. Where can I get a replacement part? Its #1 in the diagram and again I need the interior one not the exterior.